Ken Burns discussing His War of Independence Project: ‘We Won’t Work on a More Important Film’
Ken Burns is now considered more than a historical storyteller; he is a brand, a one-man industrial complex. With each new documentary series premiering on the small screen, everyone seeks his attention.
The filmmaker completed “more fucking podcasts than I ever thought possible”, he remarks, wrapping up of his extensive publicity circuit featuring numerous locations, 80 screenings and innumerable conversations. “There seems to be a podcast for every citizen, and I believe I’ve appeared on most of them.”
Happily Burns possesses boundless energy, as expressive in conversation as he is prolific during post-production. At seventy-two has traveled from Monticello to popular podcasts to talk about his latest monumental work: his Revolutionary War documentary, an extensive six-episode, twelve-hour film project that dominated the past decade of his life and debuted this week on PBS.
Classic Documentary Style
Similar to traditional cooking amidst instant gratification culture, The American Revolution intentionally classic, reminiscent of traditional war documentaries than the era of digital documentaries audio documentaries.
For the documentarian, who has built a career chronicling strands of US history spanning various American subjects, the revolutionary period represents more than another topic but fundamental. “I said this to my co-director Sarah Botstein recently, and she concurred: no future work will carry greater importance,” Burns reflects during a telephone interview.
Comprehensive Scholarly Work
Burns, co-directors Botstein and David Schmidt plus scripting partner Geoffrey Ward referenced thousands of books plus archival documents. Numerous scholars, representing diverse viewpoints, contributed scholarly insights in conjunction with distinguished researchers from a range of other fields like African American history, indigenous peoples’ narratives plus colonial history.
Signature Documentary Style
The style of the series will feel familiar to viewers of Burns’ earlier work. The characteristic technique incorporated gradual camera movements over historical images, extensive employment of contemporary scores featuring talent voicing historical documents.
This period represented the filmmaker cemented his status; decades afterwards, presently the respected veteran of historical films, he can attract virtually any performer. Appearing alongside Burns at a New York gathering, renowned playwright Lin-Manuel Miranda noted: “Nobody declines an invitation from Ken Burns.”
All-Star Cast
The decade-long production schedule proved beneficial concerning availability. Sessions happened in recording spaces, on location using online technology, an approach adopted amid COVID restrictions. Burns recounts working with Josh Brolin, who made time during his travels to perform his role portraying the founding father then continuing to subsequent commitments.
Additional performers feature numerous acclaimed actors, respected performing veterans, Domhnall Gleeson, Amanda Gorman, Jonathan Groff, multiple generations of actors, accomplished dramatic artists, Damian Lewis, Laura Linney, Tobias Menzies, versatile character actors, television and film stars, and many others.
The filmmaker continues: “Truly, this might be the most exceptional group gathered for any production. They do an extraordinary service. They’re not picked because they’re celebrities. I became frustrated when someone asked, ‘So why the celebrities?’. I explained, ‘These are artists.’ They are among the world’s best performers and they vitalize these narratives.”
Multifaceted Story
Nevertheless, the absence of living witnesses, modern media required the filmmakers to lean heavily on primary texts, weaving together personal accounts of nearly 200 individual historic figures. This approach enabled to show spectators not just the famous founders of that era plus numerous additional who are seminal to the story”, numerous individuals remain visually unknown.
Burns also indulged his individual interest for geography and cartography. “I love maps,” he comments, “with greater cartographic content in this film than in all the other films I’ve done combined.”
Worldwide Consequences
The team filmed at nearly a hundred historical locations throughout the continent and in London to preserve geographical atmosphere and collaborated substantially with re-enactors. All these elements combine to tell a story more brutal, complicated and internationally important compared to standard education.
The revolution, it contends, was no mere parochial quarrel concerning territory, taxes and political voice. Instead the film portrays a brutal conflict that eventually involved numerous countries and unexpectedly manifested described as “the noble aspirations of humankind”.
Civil War Reality
Initial complaints and protests directed toward Britain by colonial residents throughout multiple disputatious regions soon descended into a bloody domestic struggle, pitting family members against each other and turning communities into battlegrounds. During the second installment, academic Alan Taylor comments: “The main misapprehension concerning independence struggle is that it was something a consolidating event for colonists. This ignores the truth that it was a civil war among Americans.”
Historical Complexity
In his view, the revolution is a story that “for most of us suffers from excessive romance and idealization and remains shallow and fails to properly acknowledge for what actually took place, and all the participants and the incredible violence of it.
It was, he contends, an uprising that declared the revolutionary principle of the unalienable rights of people; a bloody domestic struggle, dividing revolutionaries and royalists; plus an international conflict, the fourth in a series of conflicts between Britain, France and Spain for the “prize of North America”.
Unpredictable Historical Moments
Burns also wanted {to rediscover the